Album Review: "Walking Shoes." Blues Matters! UK
BLUES MATTERS - WALKING SHOES REVIEW
Marcus Malone's new album has at long last
been released after long protracted talks with Black and Tan Records
has fallen through. The deal hadn't worked out for the benefit of
both parties. In the near future however, a collaboration between
the two is hoped to be reached, and certainly by the time the next
album comes out. [A project which Marcus has already started to work
on].
He had already cut eight tracks but hadn't got around to recording
further material that he has already written when Black and Tan asked
him to use the eight tracks and two previously released tracks from
his earlier album, "One more time," to fill up the c.d.
He did as they asked and cut the master tape. When Marcus then didn't
sign to the record label, he decided to release the album anyway,
[with the previously recorded tracks], because it was some time since
his last album and he wanted to get the new material aired and not
leave it in the can waiting for another Record label to sign him up.
He credits the album "Marcus Malone and Friends" because
he has worked with different musicians with unique techniques for
the sounds he was after. A small band would have been too confined
and wouldn't have coped with the diversity of styles that is portrayed
on the album. Marcus writes all his own stuff so he wanted it just
as near as he has it in his head!
The c.d. explodes into life with "Good love gone bad," with
Robin Bibi and Dan Smith on guitars and a rhythm section that includes
the impressive Sam Kelly on drums. The sound has a unique feel to
it, but probably could be described as a mixture between Stevie Ray
Vaughan and Bad Company!
The title track, "Walking Shoes" has Otis Grand on guitar.
He seems to wring out every drop of emotion from his guitar, while
the horn section, comprising Simon Jones and Geoff Driscoll on saxes
and Andy Gathercol on trumpet, kick-in and add to the funky sound.
The vibe has a cocky swagger that certainly takes you on a funky walk.
A terrific track with loads of guitar and lashings of tasty brass
and of course, Marcus' soulful vocals.
The next track takes us into mellow textures with the wonderful "Take
it to Heart" Papa George play's acoustic slide and national steel
guitars. He also shares vocal duties with Marcus, where it's interesting
to note the difference in vocal sound's - Papa's earthy tones and
the smooth voice of Marcus rather like coffee and cream - and
boy do they mix well!
"Wrong side of love" again has Robin Bibi and Dan Smith
trading riffs for a highly charged Rock-Blues number that oozes class.
The horn section blends in some colourful sounds around the guitars
with backing vocals from Shinga Shoniwa - her voice adding to the
overall 'feelgood' vibe of the song which certainly cuts the mustard.
Otis once again sets the scene on the next track "Find somebody"
with tasty licks. Dan Smith chugging along behind on rhythm guitar
in front of the drums and bass, opening the way up for Otis to pull-off
a breathtaking solo that only he can. Moz Gamble's keys add that extra
bit of spice that's just right for a tasty RnB stew. "Day I've
gone" with it's silky smooth vocals from Marcus and smouldering
guitar from Robin Bibi bursts into a blistering guitar frenzy, then
again cools down and sooths out into the fade out, rather like an
express train disappearing into the night air.
Tommy Allen on guitar next for "Blue
Jeans." Moz Gamble again supplies keyboards for this funky-blues-rock
number that kicks ass. Macho-cool vocals from Marcus with expressive
lyrics you can almost see "what she do' to those blue jeans",
if you, ahem, know what I mean!
"What About Me" finishes off the new material with Papa George
again supplying acoustic guitar and backing Marcus' emotive vocals.
Marcus once more accompanied by Shinga Shoniwa on backing vocals, and
together they create a tender ballad that is well executed.
Now for the last two tracks that were released on the previous album
"One more time." Both tracks "Tell me why" and "Dirty
Shame" have Tommy Allen on guitar with great horns, driving bass,
and searing guitar solo's. "Dirty Shame" especially, is a
great live number that usually guarantees everyone onto the dance floor.
Steve Watts' tinkering piano [with organ overlays], blend in nicely
with a terrific sexy smouldering sax solo from Geoff Driscoll. The chorus
has a catchy little line that you can't help joining in "it's-a
low down, dirty shame!"
And I tell you what:- it will be a dirty shame if Marcus can't achieve
the recognition he deserves after this c.d.'s release. It's a great
album from an artistic and exquisite musician who writes very tasteful
modern rhythm 'n' blues.
The purist's probably wont like it though, as it's a bit rocky, but
for everyone else it will be a breath of fresh air that the British
blues scene has been waiting a long time for
Mike Prendergast.